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10 Ways to Improve Voice Over Capabilities

Voice Over (VO) is a human vocal that is intentionally recorded for various uses which are usually used in the world of radio, television, film, and theater. Technically, a VO will be limited by the text that has been prepared and a VO has the opportunity to improvise (change) either adding or reducing the existing text, but still does not change the core of the text. One important thing that we must remember, VO is not an “announcer” in the radio world or a “news reader” that we can say to bring the event, read the news text directly (live) without having to go through the audio recording stage specifically. Lots of examples of VO that you can see. For example, when you watch television. The sound that appears when the topic image is displayed is VO. Yes, it is sometimes read directly by the “news reader”. Indeed, a VO has the task of helping to provide information when the image is displayed. This is also seen in “channels” which are specifically broadcast information (documentaries) such as National Geographic or Discovery Channel. Generally, we tend to feel comfortable above, for more information : https://www.voquent.com/english/childrens-education/

audio treats that appear accompanying pictures or videos. This is not separated because VO is done by professionals. Then, what if we want to learn and hone skills as VO? Come on, listen to the explanation below!

Bad audio can damage good videos, and bad narratives can overlook the viewer’s patience. Do you have to hire a professional for VO when you have recorded a video? No, here are 10 ways to make your voice softer, clearer, and more enjoyable than narration.

When creating a video, you often have to do your own VO. This can happen because the narrator who normally fills may be sick or you have a very tight budget, so recording your own voice is more of a viable option. For that, you can try doing the things below.

Find Your Voice

If you listen to a lot of mass media, you might have noticed the quality of “Voice Mr. Announcer “. They have a heavy, round voice, say everything perfectly and always talk by flowing to you. On the contrary, the average sound currently sounds very relaxed. For that, find your voice character. You need to speak clearly and decide where your voice character fits in the narrative spectrum. There is a large gap, of course between a public broadcaster and a person who speaks while reading in a demonstration.

Record and Understand

Personally when you speak normally it sounds like good. Record one or two of your voices and listen. While listening to your voice, make notes for each phrase “slurred” or words that are pronounced unclear. In this way, you are usually easy to fix with a few exercises. In addition, pay attention to vocal inflections and emotions. Vocal inflection is a change in the tone of the voice, the sentence song is the right intonation, especially during pauses (commas) and at the point (end of the sentence). Sound intonation tends to increase during pauses and lows at the point. Yes, it feels funny at first, but listening to recordings when you practice in turn will make you hear a change.

Understand Material

This may seem obvious, but be sure to read the material several times before you start recording. Reading scripts for 30-second ads is easy, but what if your project is a 20-minute training video full of technical terms and chemical names? Time spent in preparation makes the final performance much easier. This applies both to the finished script and video recording. Know how it fits in the final product. Don’t be afraid to add some emotion and enthusiasm when reading when needed and keep practicing hard.

Use an OK Device

Obviously, you want to use the best equipment to record your voice. However, the definition of “best” is subjective. In fact, it’s easy to get an OK recording with just a pocket recorder, windshield and a pair of headphones. A more traditional approach includes separate microphones, audio interfaces, computers and software. Or, there are several USB microphones on the market at very competitive prices. Whatever path you choose, consider how you will use this equipment in the future and make sure it is operated properly and in accordance with your production.

Do it while standing

Record your voice by standing. Why? There are two very good reasons. First, stand open your breathing and make it easier to speak clearly and consistently. By “removing compression” in your respiratory muscles, this makes it easier to take a deeper breath. In addition, standing position allows you to express more. This is a good thing. In fact, you can “dissolve” your entire body to optimize performance. Imagine you’re talking to one particular person and letting go. Nodding, moving the arm, whatever is needed can be done. Believe it or not, this movement all impacts and can be heard (in a good way) at the end of the recording after it’s finished.

Take care of yourself

Singers consider their voice as an instrument and that is also a good reason. Everything like coffee, alcohol, cigarettes, and shouting at sports events like leaving a vintage guitar in the trunk of your car. If you take it out to perform, and beat it, it won’t work properly. Whether you do VO all the time or just once, take care of yourself from things that have the potential to reduce performance. A good night’s sleep and a liter or two liters of water every day is a good start. If you have allergies or other respiratory problems, take care of your medication, but avoid using anything that makes your vocals too dry or too thick before recording. A “warm up” vocal before recording is a good idea too. There are some very good examples on the internet, the principle is you can just hum or humming. Humming or humming is one way to warm up vocals that can be done before singing. Humming can be done in various ways. Each method has its own role in sound heating. Here is one example of how to do humming. With your mouth closed, start humming tones such as Do, Re, Mi, Fa, Sol, Fa, Mi, Re, Do. At the same time hold the base of your nose and feel the vibration generated. If you haven’t felt the vibration on your nose during humming, the technique you are using is still wrong. Repeat until you feel a vibration in your nose. Humming aims to warm the throat before singing. Often we find a hoarse voice at the start of singing. This is because the throat is not ready so that the noise that is generated becomes hoarse (hoarse). For that, before starting singing, it’s better to do humming first.

Editorial Control

The Star Wars trilogy stars have been famous for George Lucas’s great scenario. However, they say that you can write these things down, but you can’t say that. That is, many dialogues are difficult to pronounce. Just watch when Obi-Wan Kenobi said, “You will never find a more wretched hive of scum and villainy.” This dialogue is difficult to do by reading it aloud. Practicing reading many times before being recorded and adding emotions and enthusiasm when needed can make a script different. When this is done, at least you can maintain grammar that is correct and technically accurate, but it may flow like peanut butter when you speak. That is why you must maintain some ability to edit the script as needed. Simplifying the script makes it clearer and easier to understand too. This is beneficial for you, the client and the audience.

Ummm …

Enemies from VO chargers are hesitant in the form of umm, ahh, and uhh. Play the test record and listen. By listening to it, you can find a doubt if it exists and try to eliminate the doubt. If that fails, some “cunning” editing can get rid of this problem, but that is always the best while trying to get rid of doubts.

Inflection

One of the most common challenges in VO is vocal inflection. The first time a voice artist often ends each sentence with an up tone, it’s almost like asking a question. It is a challenge to overcome this tendency and end an authoritative non-question sentence with a falling or neutral tone. This is harder than it sounds, but with a few exercises, you can leave a strong impression. Don’t forget to include the pressure right throughout your VO, match the content to your tone of voice. And believe it or not, your audience can really hear with a smile.

Just breathe

Respiratory sounds heard during recording were prohibited. You or the VO artist practice deep breathing then “shut up”, and work with a microphone to hide your breath. When you practice reading the script, mark places where you can safely take a breath, especially where you know there will be an edit or pause and practice breathing in certain places. You can also turn away from the microphone to minimize the sound of breathing out.